On the third album from Leeds post-punk / new-wave band, Cowtown embrace jangely pop tunes that feature a tinge of 80’s style synths; a sound that is, influentially, more along the lines of the brighter offerings from the genre, comparable to the likes of past genre-giants such as Devo or The Talking Heads.
While on the band’s first album, ‘Pine-Cone Express’ the band worked mainly with aspects of post-punk and pop they also showed interest in the experimental side of the respective genres. On this latest EP, however, the band does away with much of the experimentation found on these earlier releases and sticks to a constant palette of straightforwardness.
Cowtown has an ear for writing upbeat pop-influenced post-punk tunes; the band’s sound emphasizing the title of their album, an album built on the ingredients of an old school record, that being the inclusion of thick bass, low end analogue synths, rich guitar, a crisp drum sound, and vocal flair; all elements of a production aesthetic that focused on clarity in all aspects of a band’s sound. It is a sound that seems intentionally derivative yet manages to maintain relevancy through sheer energy and character. Essentially ‘Dudes vs. Bad Dudes’ sounds just like the album cover; a set of colorful, fun, and “raaaaddd” party tunes to jam out to. While it is a fun listen, at the same time, just like the album cover, if you look at it for too long all of the colors that once stood out from one another blend seamlessly into a pool of saturated vibrancy. It becomes an eyesore, or in this case, a bit of a headache.
My main complaint with Cowtown is their affinity for slathering the guitar and vocals in a nauseating amount of reverb which, much of the time, overpowers a lot of what is going on. Typically, I don’t tend to mind reverb too much, I actually prefer it but when almost everything is either soaked or lost in a saturated mess of reverb it can become mind-numbingly grating and not in a good way. When the guitars aren’t water-logged with reverb there are some moments of brief but tasty solos and the tone the band pulls out along with them is a nice singing overdrive.
Some of the bands most energetic moments can be heard on tracks like ‘Nightbeats’ and most notably on ‘S.Y.P.S.’, a track that opens with some skillful drum work and driving guitar that features a tinge of middle-eastern vibe. The singing fuzzed out overdrive is loaded with color and crunchy chord progressions do a good job of breaking up the monotonous use of reverb.
‘Dudes vs. Bad Dudes’ is a record that will some may find n instant attraction for the vibrant songwriting and moments of cringe worthy but fun cheesiness, although, for myself it is a listen that sits right between listenability and being a bother after repeated listens.
Overall Rating: 4.9
Favorite Tracks: ‘Animals’, ‘Nightbeats’
Recommended: Check out Hired Muscle
Released: 01 April 2013
Links: Visit The Audacious Art Experiment to stream or purchase ‘Dudes vs. Bad Dudes’