Kilgore Trout – The Golden Altar / The Black Hourglass

The Golden Altar / The Black Hourglass

On Kilgore Trout’s first release they debuted with the ferocious combination of screamo and raw metallic noise that was their split / collaborative EP with False Flag. At the time it seemed like a strange but intriguing coming together of sounds but in retrospect I can’t help but think that this relationship between noise and punk has been one in the works since the early days of punk music. If anything, noise music of today is, in my mind  not only the precursor to punk but also the genre’s successor in that it has lived up to and moved past everything the genre has attempted to do. After all, pioneers of the genre, bands like Orchid, Pg. 99, and Jeromes Dream weren’t strangers to implementing progressive ideas into their music, specifically that of noise music and the avant-garde. With that said, it was no surprise to me when Loma Prieta released their pummeling Deathwish release, ‘I.V.’, last year which was also an album that pushed the genre to its loudest extremes while remaining true to traditional screamo and post-hardcore. While these newer hardcore acts are collectively seeking a louder and more intense degree of sound Kilgore Trout is a band that does it in their own way.

On the band’s second release, ‘The Golden Altar / The Black Hourglass’, Kilgore Trout returns with a maddeningly noisy off-shot of screamo. While the band continues to explore their noisier tendencies they have also expanded their style to include short passages of dark and brooding, droning guitar ambience, namely on the track ‘(II) Dead of Night’, the second part of an epic three part song that closes the album, which sounds much like something you would hear on a City of Caterpillar release.

The band proves that things can escalate quickly, going from subdued, moody ambience to a torrent of aggressiveness, a blaze of drums, grinding guitars, and vocals so raw that it could fit perfectly in the catalogue of some black metal cassette distro. These last three tracks are a nice tryptic to end the album to, a series of songs that essentially sums up Kilgore Trout’s sound. The first part, ‘(I) Regression’ is a building track that breaks out into a storm of hellishness, while the second part, as previously mention acts as a haunting interlude, accentuating the group’s attention to atmosphere that finally concludes with the third act in the series, ‘(III) In/Finite’, a track of pure hate-filled powerviolence and a stellar way to end an album.

Although I enjoyed the band’s split with False Flag, I found the production to be lacking. At times, the instrumentation sounded muddy, swallowed in all of the noise. With this new album, this isn’t so much of a problem, not necessarily because the recording sounds better per se but more so because the band has refined their sound. Although refined, that isn’t to say that the band has done away with these sections of noise ridden abrasion in their entirety but that they have accommodated their playing style to incorporate these noisier sections more appropriately into their music.

In conclusion, ‘The Golden Altar / The Black Hourglass’ is an album that shows the diversity that Kilgore Trout possesses as a band, a band that is moving toward a more refined destination, one that doesn’t surrender their ear for creating absolutely punishing music but also doesn’t take many risks or move into uncomfortable territory either.

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Overall Rating: 6.2

Favorite Tracks: ‘Roads’ and ‘(III) In/Finite’

Recommended: The Pessimist Hangs the Optimist, Swan of Tuonela, and Caust

Released: 01 January 2013

Links: Like the band on Facebook

-Tyler Thompson

The Pessimist Hangs the Optimist – Relief (Track Review)

The Pessimist Hangs the Optimist just released a new track entitled ‘Relief’.

‘Relief’ shows the band continuing to explore their style of sludgy dirges made up of the same intense songwriting and crushing riffs and chords found on their debut EP, ‘You See All Kinds of Things When You Are the Only One Awake’. The guitar tone is once again ridiculously heavy with a lot of low end that makes for a very muddy tone which may be a negative aspect for some but I think it is a good stylistic difference that separates their sound from the hundreds of other bands they share the scene with. The vocals transition in a smooth almost unnoticed way between a sort of half baked yell and full fledged screaming; lots of emotion here. This band’s ear for composition and steady pacing between these frequent short burst of aggression and small pockets of breathing room are what really makes this song work for me. When looking back at their debut EP ‘Relief’ isn’t anything new in terms of being different from their previous material but it is a good tune nonetheless.

Recommended: Melancholic sludge influenced sounds. Circle Takes the Square

Released: 19 February 2012

Links: Listen here

-Redntoothnclaw

The Pessimist Hangs the Optimist – You See All Kinds of Things When You Are The Only One Awake

The Pessimist Hangs the Optimist is the product of Anthony Ivosevich on drums and vocals  and Craig Smith contributing guitar and vocals. Together the duo makes a unique blend of crusty and sometimes melancholy punk. ‘You See All Kinds of Things When You Are The Only One Awake’ is the bands first EP and overall release.

Unlike their contemporaries, The Pessimist Hangs the Optimist aim for something much slower, focusing on brooding atmosphere over the fast grindcore-esque brand of hardcore that was pioneered by bands like Orchid. The tone of the guitar is thick and full bodied, at times it feels as though their music has actual density in a physical sense. One may even be so bold as to refer to the music here as ‘sludge’. A good deal of the sounds on this recording are unforgivingly heavy but You See All Kinds of Things When You Are The Only One Awake does have a fair amount of tastefully placed cleanish breaks.  A great example can be heard about half of the way through ‘We Bow Our Heads’, which begins with simple slow building chords that evolve into chugging heavy guitars and tortured screams. A clean section interrupts with a simple guitar melody and some great drumming to match before the band continues to elaborate on their dirge driven sound. Another strong example can be heard on ‘William Wilson’ which consists of spoken word-like vocals. These short but sweet let ups really allow the listener to breathe and I understand that sometimes for the sake of mood and consistency, especially with intentionally claustrophobic music such as this it may not always best to give the listener air but do not be fooled, these moments are not light hearted sing alongs; lyrically and atmospherically they are nearly as heavy as the band heard in full force, teeth showing, unrelenting and cathartic as ever.

Perhaps the most distinctive trait attributed to The Pessimist Hangs the Optimist is the cutthroat and downright brutal vocals. ‘Stay Awake’ is an intense affair that is full of some of the most biting vocals I’ve heard in a while, proving that the band’s music lives up to the name. I wouldn’t be surprised if these guys were spitting blood after recording these tracks. There are multiple layers of vocals; overlapping and interchanging, screaming over and slightly out of time with one another which creates a really nice sense of chaos without playing maniacally fast. For a band consisting of only two members they do a really great job of sounding louder than you would expect. It would be interesting to see how these guys hold up live, especially taking into account that they consist only of two members.

The Pessimist Hangs the Optimist sound mad as hell, and it is obvious that they want you to know that with every fiber of their being. Although there is only so much screaming and shouting that one can take before it becomes redundant, in their own right this release does a good job of knowing when to let up and let the listener breathe a little before sinking back into the insanely heavy music that they excel at producing.

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Overall Rating: 8.3

Favorite Track: ‘Buzzards’ ‘Stay Awake’ ‘We Bow Our Heads’

Recommended: Think Circle Takes the Square vs. Neurosis

-Redntoothnclaw