After the indefinite hiatus of the genre-defying two-man band, Have A Nice Life, member Dan Barrett began releasing music as Giles Corey, a singer-songwriter / folk project that, with the first release, diverged from Barrett’s previous endeavors, focusing less on genre hopping and more on remaining consistent in one area, that being Barrett’s craft for applying this dark, atmospheric presence to his work, in this case folk music. With Giles Corey Barrett binds together lyrical topics on suicide, history, and the supernatural into a tale that is irresistibly enveloping.
While Giles Corey could be thrown into the category of folk music without much thought, Barret’s idea of folk is a bit different than the sound the genre has become synonymous with. Barrett’s style of music, much like his endeavors in past projects has this huge sense of depth to the recordings. Throughout, there is a gloomy melancholic aura that is often accompanied by nihilistic lyrics, vocals ranging from longing howls to the abrasive, processed drums, and resonant droning chords that seem to echo on forever; a polarizing combination that made the first installment in Giles Corey’s discography a must have for fans of folk and even the extremes of black metal alike. Although different from Have A Nice Life and Nahvalr, in many ways, the project still retained some traits found within those previous projects, namely Barrett’s soft spot for the reverb and delay drenched aspects of shoegaze music and the sprawling influence of drone music, a trait that was revisited, this time wholly as the project moved toward the long-form minimalist drone and binaural experiments of last year’s ‘Deconstructionist’ album.
It’s no secret that Giles Corey’s first album wore it’s experimental tendencies on it’s sleeves but the project’s next album, ‘Deconstructionist’, a release consisting of three songs, each passing the twenty minute mark, was a piece of music that did away with any kind musical structure, this time fully embracing experimentation which, as a result would isolate the fans of the more folky tracks from the project’s debut. Luckily for those who didn’t enjoy Barret’s plummet into the conceptual mood piece that was the ‘Deconstructionist’ this new EP, ‘Hinterkaifeck’ is a return to the haunting style that gained the project it’s attention in the first place.
One thing that made Giles Corey so appealing was Barrett’s story telling. With each release Barrett has offered a backstory to accompany the music; it was a decision that called for participation, allowing the listener to immerse one’s self within the music as oppose to simply listening along. As with these previous releases, the title of the EP, ‘Hinterkaifeck’ offers some pretext to the music, referring to an unsolved event that transpired on a small farm in which, on the evening of 1922 six people were brutally and curiously murdered with a pickaxe. It is a minor piece of information that without knowing does nothing in terms of adding to the mythos that Barrett has built around this project but when looked into gave me something to chew on, offering another perspective into what Giles Corey is about thematically.
On this new EP Barrett’s dishearteningly somber vocals and lo-fi production techniques are ever present. Where the last release was a three track sprawling epic these three shorter tracks on this EP still manage to leave plenty of room for some explosive and epic moments. Thick acoustic guitar chords and distant vocals make up the beginning of ‘Guilt Is My Boyfriend’ before exploding into a fuzz-drenched mess, essentially summing up what Giles Corey is at it’s most basic, pop with a wash of melancholia. The songs on ‘Hinterkaifeck’ show Giles Corey progressing in very much the same fashion as was heard on the self titled album. It isn’t nearly as groundbreaking but being what it is, a decent set of new tracks, it should tide you over until the next full length release.
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Overall Rating: 6.8
Favorite Track: ‘Guilt Is My Boyfriend’
Released: 21 February 2013
Links: Check out this live set of tracks from a recent tour here.