Recorded in Philadelphia, PA, Lonely House is the latest tape from multi-instrumentalist Mark Przybylowski, released on Galtta Media.
At the foundation of Lonely House are a collection of seven quiet and simplistic instrumental pieces that rely on it’s ambience, not in a textural sense but more so this overall stripped down nature of the music allowing the listener to focus in on one or two prominent instruments at a time putting Przybylowski’s tender and moody playing style at the forefront of Lonely House. There is never really a whole lot going on and all of the songs stay at a similar pace, each track taking it’s time, which isn’t a bad thing at all, it actually adds a good deal of consistency to the album which is necessary for something as skeletal as this is.
The songs here are primarily made up of cold acoustic guitar, serene cello, and the warm hum of the double bass. There are also a few occasions where vocals are used, albeit, they are used sparingly and expressively in the sense of another instrument as opposed to their traditional use in singing lyrics, which being an instrumental release their are none of.
Everything sounds very nice, each instrument is played delicately, never breaking free from the somber steady pacing. The sound quality has a very upfront home recorded sound about it; the shrill screeching of fingers sliding up the neck of an acoustic guitar, the natural room reverb, minimalist song structure; it all carries a sincere message, something that says: “Hey, this is some sad sounding instrumental stuff and this is what you’re going to get, I hope you like it but if you don’t that’s ok too.” In general I feel like this album would be suitable for a nice autumn night’s listen or a winter’s evening by the fire place. The tranquil gloom that is presented here evokes memories of watching the trees lose their leaves, oranges and reds raining down, painting the earth as it prepares to renew itself, to briefly die for the winter. Its a very emotive piece of music, something like a poetry of the senses, an album that doesn’t try to sound sad but just is and even so, this sadness isn’t necessarily overt; like a long sigh, the music just breathily moves, carrying itself from one note to the next, passively moving along until the album’s end.
Although I enjoy the low-key feeling of Lonely House its biggest flaw is exactly what it succeeds in doing. For some, the lines between consistency and repetitiveness will be marred; the seemingly purposeful restrained nature of every track can feel monotonous. It isn’t a huge problem seeing as this is kind of the appeal of the album but it does hold it back from what I think could have the potential to be even more emotive and touching than it already is. Lonely house is definitely a moody set of tracks, it’s all kind of cold sounding, like the first chilly winds of fall, or the cold bite of winter but at the same time, it’s just as warm, touching on the senses with every slow moving stroke of the bow or pluck of the strings and better yet, it’s just in time for the summer’s end.
Favorite Tracks: ‘Slow Winter’, ‘Sunday’
Released: 15 July 2012