Qwertzuiop is a one man black metal band from Nyiregyhaza, Hungary. ‘Dead Oak’ is the musician’s first release.
Like many of these bedroom projects, they often provide a kitschy take on a semi-popular trend in music. With the digital age, the influx of technology such as home computers, laptops, and smart phones along with websites such as Last.fm, Soundcloud, and Bandcamp come easier ways for musicians to see that their music is heard. Free programs such as Audacity give musicians an opportunity to record and self produce their material in a cost efficiently and easier fashion. Bedroom music, whether it be folk, shoegaze, drone and ambient, or perhaps the most popular being black metal, that of which often retains a fusion of the aforementioned genres is undoubtably the result of the birth of the digital age. All of the previously mentioned styles of music are similar in one way, that being that they are all lo-fi, able to be recorded at home without expensive equipment, favoring creativity over quality studio production and musicianship. Like many other one man black metal bands, especially ones that venture into music unrelated to the genre itself, the influence of traditional black metal is almost subliminal or not immediate in the sense that it retains some small elements of the genre while focusing more on experimenting on other sounds and styles of music.
The whole of the work is generally fulfilling; there are some cool sounds and some moments scattered throughout that may leave the listener pondering how a certain sound was produced. The first track is a colorful mixture of walls of sound and black metal that makes for a listening experience that is very much on a cosmic scale in terms of how big the music sounds which is impressive given certain limitations that come with the music. The body of ‘Dead Oak’ is almost entirely instrumental with the exception that there are vocals on the second track and although used sparingly the shrill tortured scream that is emitted toward the end of the track is a fantastic tactically placed element.
As different as this album tries to be I feel that ‘Dead Oak’ is not free of its many limitations. There are times where the music feels rushed, trying to bring together as many key factors from different styles of music as possible, stripping them down and trying to assemble them into something new based on what is left. At times it does work, the first and second track being a prime example of this while much of the time you can hear the music struggling to join together all of it’s different sounds to create a concrete piece. This leaves me to wonder whether this trend in music is truly the result of a surge in musical creativity and a will to experiment or rather laziness that has been hidden behind the gimmick of low-fi production; the tragic idea that if a piece of music is masked in enough reverb, fuzz pedals, all while being recorded with an Xbox Live headset the musician assumes that it can be called lo-fi and left at that. Fortunately this is not the case with most of the music on ‘Dead Oak’.
Qwertzuiop’s ‘Dead Oak’ manages to become something that is actually enjoyable while maintaining a creative and experimental style. Like other similar projects such as Murmuure and Mamaleek. There are some truly great moments on here, some that even act as strong examples of structured noise. There is one major problem I have with ‘Dead Oak’, one that is shared with many of it’s contemporaries; that being the idea of purposefully lumping together as many styles of music as possible in order to attempt to create an entirely new style of music instead of attempting to ultimately create something unique. This is not a trend that exclusively identifies with black metal but unfortunately applies to all styles of music. The question is, how will Qwertzuiop establish it’s sound from those of projects such as Murmuure, Morose, and Heretoir in the future?
Overall rating: 7.4
Favorite Track: ‘I’
Recommended: Traditional black metal purists may want to stay away from this but if you are looking for a different approach to the genre than this may be for you.